As for this movie,having been made in 1963 has a meaning. / Keeping on memorizing human being's crime is exceeding th espeed of light. / It must be concrete when the past forms the ethics of the futre.
Isn't the reason I put not the sea but a pond on the basis of an image purity called the level surface? I looked at LESS of UNIFOR after a long time, and considered it so suddenly. The vision "water desk" supports at an absolute plane like glass, and calls in water. The world is not a plane. When replacing by the plane by projection of an image, I need a support object like this LESS with glass. This is not using the LESS itself.
He conceives of a fragment. There is completeness of the stage prepared scrupulously as a fragment. They are dramatic and like a movie. However, it is not equal.
-DiCorcia now resides in New York City where he has worked since 1984 as a freelance magazine photographer. He has received grants from the Guggenheim Foundation and The National Endowment for the Arts and has shown at galleries and museums throughout the world. -text by Robert Klein Gallery
PHILIP-LORCA diCORCIA by Marlena Donohue
Galerie Almine Rech
I am a visualist, not a writer. Therefore, I'm not in the position of building language creatively. I have noticed the desire of wanting to recatch language vividly by utterance called voice. Although the language for utterance becomes quotation of a text, this does not necessarily have a big meaning. I will try functional method of the recovery hearing .
[Sound scape of Japanese culture]text by Christophe Charles:(un)related1998,Maebashi / The Japanese soundscape is, as in the other highly industrialized and economically powerful countries, neglected because of economic imperatives. The traditional architecture, the art of the garden or most of the traditional music prove a great sensitivity to sound, nevertheless the "traditional" soundscape has been destroyed by the systematic wiring of the country with audio cables, railroads and motorways.
Traditional music has a very restricted audience (when comparing to the whole audiophile population), and the recent vogue is to not get interested into, or even reject some aspects of the traditional culture, and it seems that sensitivity to "pure" sound is one of these aspects. (It is probably one of the reasons why foreign artists (including writers) resident in Japan, especially the ones from the Occidental countries, try, in general without great success, to insert "traditional" Japanese elements in their work).
The fact that the Japanese young generations draw much attention to fashion is possibly one of the cause of the standardization of the soundscape. And as long that the adhesion to fashion is one of the condition for the belonging to the social group, it is difficult to imagine soundscape to be "restored". Let's hope that the young composer make more and more silent pieces. /_amazon : Oval & Christophe Charles CD (1998/01/20) Thrill Jockey,Undirected: 1986-1996/Dok [FROM US] [IMPORT] Christophe Charles CD (2000/08/29) Ritornell, Undirected 1986-96 [FROM US] [IMPORT] CHRISTOPHE CHARLES CD (1997/03/25) Efa -- Caroline -
"L' ART DE LA DISPARITION" of Jean Baudrillard published in 1997 was an impressive incident for me.
The text in which a fragment is spelled is clear materialism, and, finally there is like this. "A photographer mixes up a self subjective view and the miracle of reflection of the light produced by photography.And they make the photograph at which are too good."
”The world where the whole was looked down at it and seen from the meaning side completely invites disappointment.
But, if details are seen suddenly, the world will be existence obvious perfectly always .”
"I shall be your mirror! All retouch, correction, and production are clothed in esthetic character, so that they are horrifying."