WATER DESK

kirihara WD

Kirihara water desk Dec,04 by T2

place,place,place

I was taken and possessed by the number 3, from 1985. Erik SATIE uses the technique of having resembled creation. We are two eyes and look at one matter. PPP is presentation of three simultaneity. This became the consciousness revolution of the act (photography) at which it looks.715_unit_b.plan, 715_unit_c.plan
718_unit_plan
718_2_unit_planby F828

kagurazaka

planning note 5,july. View image

WT digital

It blockades, if it purifies to the design for the level surface. The idea was made to play in order to ripen a good technique. I came to regard the various play itself as your naming Water Desk as it is. While conversion to visualization adds play of DV_camera by side of a difficult film on the assumption that it outputs digital one as it is, conceiving of environment makes thinking tough. July.04_plan1, July.04_plan2, June.04_plan, June.04_plan2

sketches

All of the plan of p0103, p0203, and p11 are the sketches by the test photography film (Fuji RVP100). The problem produced in juxtaposition of an actual material is not understood unless it becomes then. I have explored the possibility of WT now. It is the erotic quality of image of a film which was reconfirmed by photography of T2. Although monochrome positive is due to be used, a color positive will also be tried in parallel. Retouch software is used in the sketch. In the case of actual design construction, an impression will change considerably, since such conversion is not performed. What it was thought that was interesting unexpectedly is participation to man's screen. I want to, also consider a portrait like [020122 richter 1968] of which it conceived at the beginning last year in addition.

p0203/plan

p0203_img / just plan / photo by rina Lumix /photoshop_img /
p11_24bw_img/ just plan / photo by T2

p0103

p0103_img / p0103db_img / p0103db2_img

voice

I am a visualist, not a writer. Therefore, I'm not in the position of building language creatively. I have noticed the desire of wanting to recatch language vividly by utterance called voice. Although the language for utterance becomes quotation of a text, this does not necessarily have a big meaning. I will try functional method of the recovery hearing .

[Sound scape of Japanese culture]text by Christophe Charles:(un)related1998,Maebashi / The Japanese soundscape is, as in the other highly industrialized and economically powerful countries, neglected because of economic imperatives. The traditional architecture, the art of the garden or most of the traditional music prove a great sensitivity to sound, nevertheless the "traditional" soundscape has been destroyed by the systematic wiring of the country with audio cables, railroads and motorways.
Traditional music has a very restricted audience (when comparing to the whole audiophile population), and the recent vogue is to not get interested into, or even reject some aspects of the traditional culture, and it seems that sensitivity to "pure" sound is one of these aspects. (It is probably one of the reasons why foreign artists (including writers) resident in Japan, especially the ones from the Occidental countries, try, in general without great success, to insert "traditional" Japanese elements in their work).
The fact that the Japanese young generations draw much attention to fashion is possibly one of the cause of the standardization of the soundscape. And as long that the adhesion to fashion is one of the condition for the belonging to the social group, it is difficult to imagine soundscape to be "restored". Let's hope that the young composer make more and more silent pieces. /_amazon : Oval & Christophe Charles CD (1998/01/20) Thrill Jockey,Undirected: 1986-1996/Dok [FROM US] [IMPORT] Christophe Charles CD (2000/08/29) Ritornell, Undirected 1986-96 [FROM US] [IMPORT] CHRISTOPHE CHARLES CD (1997/03/25) Efa -- Caroline -

CAMERA

A camera uses only CONTAXT2.
This project is restricted to a single focal compact camera. It is because the character (tendency) of a Gaze can be extracted to one. I considered use of the wide-angle lens of CONTAXG2 at the beginning. However, I decided to choose T2 in consideration of not being the project which aims at the photograph work which becomes independent. I judged that it was suitable in this project, after evaluating the mobility of T2, and the lens performance enough.

It is too small CONTAX T3. The lens which carried out the capability rise from "ZONA T*35mmF2.8" of T3 to "ZONA T*38mmF2.8" although it was good. T2 became a production stop , so second times type also became cheap by development of CONTAX T3 is also attractive.
T2 simple Manual
Denton Taylor "The Contax T2 Pocket Camera"
Hirotaka Seki contax T2
Marusu Links
ANNEXIA WEB
17% Gray
The Fields, The Sky
CONTAX images
Contax Photo Gallery
other camera / pentax 6x7,contax RX,contax S2, olympus L-1, zenza bronika 6x6, minoruta TC-1, LUMIX digital