WATER DESK

AGFA SCALA 200x

The development charge of AS200x's 31 shot is YODOBASHI and is 1239 yen. This is very expensive for a development charge. I did scan of this positive film by 360dpi for digital planning. 35mm scan is wide -- it was set to w: 500pix h: 340pix. This plan cannot necessarily carry out direct adaptation of the case of a direct print works.

K I S S

I am going to perform the digital planning of Water Desk project in K I S S (Keep it simple stupid) Photo log from now on. K I S S contains also except Water Desk project planning. They are and like [ these plans are impracticable theory and ] a step. Water Desk will ripen by playing in the plan itself.

sketches

All of the plan of p0103, p0203, and p11 are the sketches by the test photography film (Fuji RVP100). The problem produced in juxtaposition of an actual material is not understood unless it becomes then. I have explored the possibility of WT now. It is the erotic quality of image of a film which was reconfirmed by photography of T2. Although monochrome positive is due to be used, a color positive will also be tried in parallel. Retouch software is used in the sketch. In the case of actual design construction, an impression will change considerably, since such conversion is not performed. What it was thought that was interesting unexpectedly is participation to man's screen. I want to, also consider a portrait like [020122 richter 1968] of which it conceived at the beginning last year in addition.

p11_26bw

p11_18cr_img / just plan by T2/ test Fuji RVP100
p11_23cr_img /
p11_26bw_img / p11_27cr2_img / p11_27cr_img / p11_27cr3_img / p11_34 img / p11_42 img
plan statement mark_img

p0203/plan

p0203_img / just plan / photo by rina Lumix /photoshop_img /
p11_24bw_img/ just plan / photo by T2

p0103

p0103_img / p0103db_img / p0103db2_img

AGFA SCALA 200x

The price of AGFA SCALA 200X Professional 135-36 which I bought was 1120 yen in the YODOBASHI Film camera store Shinjuku . BW Positive film is not sold. There are no Japanese products. Although it is so expensive, I understand the value to be used. The fun of Positive film have a paradoxical meaning of a negative film. I begin to data create BW Positive film. The test of color positive Film by T2 has finished. I have to make the method of film development processing. In society, a meaning etc. is not needed for the film. I am an individual, so I want the meaning and effect of mere a few.

LESS

Isn't the reason I put not the sea but a pond on the basis of an image purity called the level surface? I looked at LESS of UNIFOR after a long time, and considered it so suddenly. The vision "water desk" supports at an absolute plane like glass, and calls in water. The world is not a plane. When replacing by the plane by projection of an image, I need a support object like this LESS with glass. This is not using the LESS itself.

Juxtaposition of voice

When the voice about which man speaks does not have one purpose, what juxtaposition is possible? It is clear that voice is not converted to digitized data in an essential meaning. I want to use human_voice in the meaning of adding to the sampling of the cry of animals. It will show a humane special state, though it is a cry.

Philip-Lorca diCorcia

He conceives of a fragment. There is completeness of the stage prepared scrupulously as a fragment. They are dramatic and like a movie. However, it is not equal.

-DiCorcia now resides in New York City where he has worked since 1984 as a freelance magazine photographer. He has received grants from the Guggenheim Foundation and The National Endowment for the Arts and has shown at galleries and museums throughout the world. -text by Robert Klein Gallery
PHILIP-LORCA diCORCIA by Marlena Donohue
Galerie Almine Rech

voice

I am a visualist, not a writer. Therefore, I'm not in the position of building language creatively. I have noticed the desire of wanting to recatch language vividly by utterance called voice. Although the language for utterance becomes quotation of a text, this does not necessarily have a big meaning. I will try functional method of the recovery hearing .

[Sound scape of Japanese culture]text by Christophe Charles:(un)related1998,Maebashi / The Japanese soundscape is, as in the other highly industrialized and economically powerful countries, neglected because of economic imperatives. The traditional architecture, the art of the garden or most of the traditional music prove a great sensitivity to sound, nevertheless the "traditional" soundscape has been destroyed by the systematic wiring of the country with audio cables, railroads and motorways.
Traditional music has a very restricted audience (when comparing to the whole audiophile population), and the recent vogue is to not get interested into, or even reject some aspects of the traditional culture, and it seems that sensitivity to "pure" sound is one of these aspects. (It is probably one of the reasons why foreign artists (including writers) resident in Japan, especially the ones from the Occidental countries, try, in general without great success, to insert "traditional" Japanese elements in their work).
The fact that the Japanese young generations draw much attention to fashion is possibly one of the cause of the standardization of the soundscape. And as long that the adhesion to fashion is one of the condition for the belonging to the social group, it is difficult to imagine soundscape to be "restored". Let's hope that the young composer make more and more silent pieces. /_amazon : Oval & Christophe Charles CD (1998/01/20) Thrill Jockey,Undirected: 1986-1996/Dok [FROM US] [IMPORT] Christophe Charles CD (2000/08/29) Ritornell, Undirected 1986-96 [FROM US] [IMPORT] CHRISTOPHE CHARLES CD (1997/03/25) Efa -- Caroline -